4 edition of Tradition and the poetics of self in nineteenth-century women"s poetry found in the catalog.
Includes bibliographical references and index
|Statement||edited by Barbara Garlick|
|Series||Costerus -- new ser., [v.] 140|
|The Physical Object|
|Pagination||xi, 199 p. ;|
|Number of Pages||199|
women writing in a newly emerging, self-conscious female poetic tradition that affirms and celebrates women's lives. Also these poets share an attentiveness to the problematics of poetic language, its ability to mystify rather than clarify, and its potential to modulate meanings for . Free Online Library: The Poetics of the Working Classes. by "Victorian Poetry"; Literature, writing, book reviews Ballads Criticism and interpretation Dialect literature 19th century AD English literature, (Victorian age) Victorian period literature, Working class.
Toward a Feminist Poetics by Elaine Showalter Elaine Showalter’s feminist criticism is a clearly articulated feminist literary theory. Showalter has proposed a separate and independent model of feminist literary theory by rejecting the inevitability of male models and theories and by recalling the history of women’s writing to the present. Perhaps, but that implies the ideal of leadership, which is a problematic holdover from centuries of male domination. The black poetic tradition is defined, to a large extent, by the accomplishments of black women, accomplishments that never came to black men. Phyllis Wheatley published the first book. Gwendolyn Brooks received the first Pulitzer.
A History of Nineteenth Century American Women s Poetry Book Summary: A History of Nineteenth-Century American Women's Poetry is the first book to construct a coherent history of the field and focus entirely on women's poetry of the period. With contributions from some of the most prominent scholars of nineteenth-century American literature, it explores a wide variety of authors, texts, and. This book revisits British Romanticism as a poetics of heightened attention. At the turn of the nineteenth century, as Britain was on the alert for a possible French invasion, attention became a phenomenon of widespread interest, one that aligned and distinguished an unusual range of fields (including medicine, aesthetics, theology, ethics, pedagogy, and politics).
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: Tradition and the Poetics of Self in Nineteenth-Century Women's Poetry (Costerus NS ) (Costerus New) (): Garlick, Barbara: BooksCited by: Tradition and the Poetics of Self in Nineteenth-Century Women's Poetry by Barbara Garlick,available at Book Depository with free delivery : Barbara Garlick.
Tradition and the poetics of self in nineteenth-century women's poetry / edited by Barbara Garlick. Tradition and the Poetics of Self in Nineteenth-Century Women's Poetry Edited by Barbara Garlick Amsterdam-New York, NY Caroline Bowles Southey, Elizabeth Barrett Browning and disruption in a patriarchal poetics of women's autobiography --Aurora Leigh: Elizabeth Barrett Browning's novel approach to the woman poet --Elizabeth Barrett Browning and the problem of female agency --In Daisy's lane: variants and personification in Emily Dickinson --Emily Dickinson's epistolary poetics: text, lies and autobiography.
The Body of Poetry. Book Description: The Body of Poetry collects essays, reviews, and memoir by Annie Finch, one of the brightest poet-critics of her generation.
Finch's germinal work on the art of verse has earned her the admiration of a wide range of poets, from new formalists to hip-hop writers. And her ongoing commitment to women's poetry has brought Finch a substantial following as a "postmodern. This book draws on the epic kakawin poetry tradition to examine the institutions of courtship and marriage in the Indic courts.
Its primary purpose is to explore the experiences of women belonging to the kakawin world, although the texts by nature reveal more about the discourses concerning women, sexuality, and gender than of the historical. A Moment's Monument: Revisionary Poetics and the Nineteenth-Century English Sonnet argues that the history of the sonnet in the last century is more than a decorative strand in its literary fabric.
To a large extent, this book is about Wordsworth, who discovers, through Milton, that at the heart of the sonnet's power as a form is the trope of synecdoche, which he connects up with the very.
Women fought for equal treatment and civil rights; meanwhile, women poets created structures to support one another while profoundly changing poetry itself. To accompany the podcast mini-series A Change of World, which examines the intersections of second-wave feminism and poetry, the Poetry Foundation gathered a selection of poems by women.
Aristotle's Poetics (Greek: Περὶ ποιητικῆς; Latin: De Poetica; c. BC) is the earliest surviving work of dramatic theory and first extant philosophical treatise to focus on literary theory. In this text Aristotle offers an account of ποιητικῆς, which refers to poetry or more literally "the poetic art," deriving from the term for "poet; author; maker," ποιητής.
Lubrin’s debut poetry collection Voodoo Hypothesis, was named a CBC Best Poetry Book, longlisted for the Gerald Lambert Award, the Pat Lowther Award, and a finalist for the Raymond Souster Award. She was a finalist for the Toronto Book Award for her fiction contribution to The Unpublished City: Vol 1 and Writer in Residence at Queen’s.
Book Description: "A feminist classic."-Judith Shulevitz, New York Times Book Review "A pivotal book, one of those after which we will never think the same again."-Carolyn G.
Heilbrun,Washington Post Book World A pathbreaking book of literary criticism is now reissued with a new introduction by Lisa Appignanesi that speaks to howThe Madwoman in the Attic set the groundwork for subsequent. This book shows how rhythm constitutes an untapped resource for understanding poetry.
Intervening in recent debates over formalism, historicism, and poetics, the authors show how rhythm is at once a defamiliarizing aesthetic force and an unstable concept.
The Poetics Of Sensibility The Poetics Of Sensibility by Jerome J. McGann, The Poetics Of Sensibility Books available in PDF, EPUB, Mobi Format. Download The Poetics Of Sensibility books, Jerome McGann's exciting new work represents a major intervention in eighteenth-century and Romantic studies.
It takes as its prime aim the reading of neglected poetry, principally by women, which qualifies as. This book revisits British Romanticism as a poetics of heightened attention. At the turn of the nineteenth century, as Britain was on the alert for a possible French invasion, attention became a phenomenon of widespread interest, one that aligned and distinguished an unusual range of fields (including medicine, aesthetics, theology, ethics, pedagogy, and politics).
A History of Nineteenth-Century American Women's Poetry is the first book to construct a coherent history of this complex field. With contributions from some of the most prominent scholars of nineteenth-century American literature, it explores a wide variety of authors, texts, and methodological approaches.
Looking in the Glass, Sarah Piatt’s Poetics of Play and Loss. We Women Radicals, Frances Harper’s Poetics of Radical Formation. What One Is Not Was, Mary Eliza Tucker Lambert’s Poetics of Self-Reconstruction. Critical Positions in Racial Modernity, An Approach to Teaching.
Other Times: Childhood and Nonsense. The recovery of women writers of the Romantic Period has inevitably brought attention to the representation of passion in literature. Passion, a word belonging in the same domain as Sensibility, emerges as its own subject in the 18th-century novel and, as criticism is presently demonstrating, in 18th- and early-nineteenth-century poetry.
As Hutton's poetry has shown, working-class women poets can and did write about and within the dominant political discourses of the mid-nineteenth century.
This, I think, opens for critics a new and exciting strand of research on the working-class of Victorian Britain. Style, Gender, and Fantasy in Nineteenth Century American Women's Writing redefines our understanding of women's relation to aesthetics and their contribution to both American literary romanticism and feminist reform.
This illuminating account provides valuable new insights for scholars of American literature and women's writing. Poetry, therefore, is a more philosophical and a higher thing than history: for poetry tends to express the universal, history the particular.
By the universal, I mean how a person of a certain type will on occasion speak or act, according to the law of probability or necessity; and it is this universality at which poetry aims in the names she.as epitomizing the nineteenth-century genteel poetic.
However, at the same time, there is also something politically urgent and incendiary about her suffrage verse, which prompts comparison to newspaper poets such as Anna Louise Strong and propagandist-poets like Arturo Giovannitti, whom Harrington examines in The Social Form of Public Poetry.Myra Jehlen's warning that feminist critics "have been, perhaps, too successful in constructing an alternative footing" so that "our female intellectual community becomes increasingly cut off even as it expands" remains trenchant particularly for the study of nineteenth-century women's poetry.
11 Here I track the ways that the work of.